For General Magic, she made Magic Cap 's "impish" cartoon of dad's office desktop. This cumulative work was key in making the Macintosh one of the most successful and foundational computing platforms of all time. [9], Her icon portfolio has been featured as physical prints in the National Museum of American History, the Museum of Modern Art (MoMA), the San Francisco Museum of Modern Art, and the New Mexico Museum of Natural History and Science. [9][4] Veteran designers at Apple had previously thought it impossible to convey personality and accuracy in a human portrait of only 32 × 32 pixels until Kare did it. [13], As a computer novice in the target market of the Macintosh, she easily grasped the Twiggy-based Macintosh prototype which "felt like a magical leap forward" for art design. [9] She has said that she would still prefer 16 × 16 pixel monochrome pixel art. : n )"[4], In 1986,[1] Kare followed Steve Jobs in leaving Apple to launch NeXT, Inc. as its Creative Director and 10th employee. [9] She intended to bring "an artist's sensibility to a world that had been the exclusive domain of engineers and programmers" and "hoped to help counter the stereotypical image of computers as cold and intimidating". [13] In 2015, the Museum of Modern Art exhibited the first physical representation of her iconography, including her original Grid sketchbook,[18] saying "If the Mac turned out to be such a revolutionary object––a pet instead of a home appliance, a spark for the imagination instead of a mere work tool––it is thanks to Susan's fonts and icons, which gave it voice, personality, style, and even a sense of humor. [6][8], Susan Kare's career has always focused on fine art. "[14] They called her "a pioneering and influential computer iconographer [whose icon designs] communicate their function immediately and memorably, with wit and style. Her most recognizable and enduring works at Apple include the world's first proportionally spaced digital font family of the Chicago, Geneva, and Monaco typefaces, and countless icons and interface components such as the Lasso, the Grabber, and the Paint Bucket. For IBM, she produced pinstriped isometric bitmap icons and design elements for OS/2. (Legend: Susan Kare). in Art from Mount Holyoke College in 1975, with an undergraduate honors thesis on sculpture. During 1980s, she developed many of the interface elements for the Apple Macintosh. Currently, she is a partner in Susan Kare LLP, creative director for Chumby Industries, Inc. and co-founder for As the creative designer at Apple, Dr. Kare created typefaces and Icons, along with the original MacIntosh OS. This includes original marketing material and many typefaces and icons, some of which became patented. [5][9] She said "an icon is successful if you could tell someone what it is once and they don't forget it. Her work was revolutionary, bringing a sense of ease for the average person using computers. [13] Her Macintosh icons were inspired by many sources such as art history, wacky gadgets, pirate lore, Japanese logograms, and forgotten hieroglyphics. [13][16], For decades, she seeded this visual language practice throughout the industry via industry giants such as Microsoft Windows, IBM OS/2, Facebook, and Pinterest. [16], In 1997, I.D. [6][12][9] Aligned with Steve Jobs's passion for calligraphy,[17] she designed the world's first proportionally spaced digital font family[9] including Chicago and Geneva, and the monospaced Monaco. [49] Her brother was aerospace engineer Jordin Kare. Kare left Apple in to join NeXT, a computer company, in 1986 as the creative director. [1][13][9] For Eazel, she rejoined many from the former Macintosh team and contributed iconography to the Nautilus file manager which the company permanently donated to the public for free use. Descendants of her groundbreaking 1980s work at Apple are universally seen throughout computing and in print. The donations were originally going to Susan G Komen for the Cure Foundation, the fight against cancer. She stunned the staff of accomplished pixel artists and engineers with her unexpectedly personable renditions of their portraits in the Mac's standard 32 × 32 pixel monochrome resolution for icons. [9] She is celebrated as one of the most iconic technologists of the modern world alongside Ada Lovelace, Grace Hopper, Mae Jemison,[16] Steve Jobs, and Doug Englebart. She was a design consultant for Microsoft, IBM, Sony Pictures, and Facebook, and she is now an employee of Pinterest. B i o g ra p hy Susan Kare was born in Ithaca, New York in 1954. Dr Kare has been able to think outside the box, placing her computer Icons in places to reach larger audiences. Change ), You are commenting using your Google account. [5] Her brother was aerospace engineer Jordin Kare. In 1980 Kare began working for Apple Computers and was one of the … The Museum of Art in New York began featuring her designs on stationary and notebooks. magazine launched its I.D. With the World Redesigned, What Role for Designers. [8] She was a founding partner of Susan Kare LLP in 1989. [6] It's solving the little puzzle of making an image fit a metaphor. in Art from Mount Holyoke College in 1975 and received her Ph.D from New York University in 1978. ", Her primary objective with the Macintosh was to humanize it, make it seem less like a machine, and give it "a smile".

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